I’ve been defending maximalism in client meetings for about 18 months and I think we’re finally at the turning point where I don’t have to defend it as much.
The minimal orthodoxy in design has been suffocating. The idea that restraint is automatically sophisticated and complexity is automatically amateur has produced a decade of interchangeable brand identities.
What maximalism actually requires (when done well):
- Deep understanding of visual hierarchy - you’re managing more elements, not abandoning hierarchy
- Intentional chaos - the complexity should have a logic the viewer can feel even if they can’t explain it
- Confidence in colour - saturated, multiple, clashing, but not random
- Cultural or emotional referencing that gives the complexity meaning
What maximalism is NOT:
- Throwing everything at a canvas
- Using maximalism as a synonym for “busy”
- Ignoring contrast and readability
The best maximalist design I’ve seen recently: a few independent record labels, some streetwear brands, and the best editorial design going right now. None of it looks accidental.
What’s your current client appetite for complexity? Are briefs shifting?